The Ontario Heritage Trust publishes a bi-annual magazine to both celebrate and highlight the different initiatives the Government agency undertakes year-round. In this edition — Rethinking, revitalizing, and renewing heritage buildings, preserving land endangered species as well as acknowledging the different communities that lived and still live in these historic sites.

While working at B Company Design, Coppinwood asked us to design an entire brand system for a high-end golf course that was still under construction. The challenge was to communicate articulately to top-tier potential members the unrealized ultimate golf experience. We also needed to highlight that this particular course was designed by the award-winning Tom Fazio. He was the architect of this and more than 125 courses that have won countless awards, including an unprecedented one-year sweep of Best New Public, Private, and Resort Course in Golf Digest's rankings.

While some venues in the Casino Niagara were still underconstruction B Company Design was tasked with the branding of a 1940's style American diner. After diving into the era and it's interesting history, we made sure to customize the entire brand experience of the restaurant. From the script typeface of the logo, to the menu, to the large scale airplane circling the globe hanging in the middle of the restaurant.

I was asked by Ontario Association of Children's Aid Societies to help them put together a research document that was very near and dear to them.

Logo and branding for a high-end Toronto based, all men's grooming salon.

B Company Design had been revising and updating Aastra Technologies Limited for a few years. But for this particular project, we felt it necessary that they completely revise their aesthetics and branding to reflect their new business direction.

In 2005 Arnold Palmer was due to return to Toronto's Weston Golf & Country Club to mark the 50th anniversary of his first professional win in the Canadian Open in 1955. While working at B Company Design we were tasked with the branding and promoting of this particular celebratory event. I created the custom logo, and a special limited edition metallic print with gold foil inlay poster. The poster was then hand signed by the King himself and donated to the volunteers of that tournament.

Court Services Division Branch of the Ministry of the Attorney General asked me to put together the latest Juror's handbook.

I was commissioned to illustrate a mascot for a new public school in the Kitchener / Waterloo region.

Ministry of the Attorney General Maps linking courts to their correctional centres.

Orange Bazooka Design Agency asked me to help them put together a website for a Condo/Town Home developer.

While working at B Company Design, Devil’s Pulpit Golf Association... A prestigious and world renowned golf course in the Toronto area, asked us to produce an annual calendar highlighting the golf course and what sets them apart from the rest of the world. We accomplished this with the help of the most passionate and talented individuals that were best suited to delivering the story and philosophy of a world class golf course that is both the Devil’s Pulpit and Devil’s Paintbrush.

While working at DDB Canada I was tasked with the print production and designing of all Dell's promotional material.

While working with Co-op Advertising I was responsible for all the design and production for Midas' print needs nation wide until the company expanded.

The Bahamas Investments industry reached out to B Company to help with their branding and design. We were happy to help.

Mike Celia came to me looking for original artwork and design for his latest album. What made this project successful and exciting to work on was the mutual trust and respect for the creative process, without any preset notions of the finished product.

Toronto School of Art needed to update their annual calendar.

B Company Design was asked to help brand a new clothing label that caters to a younger more fashion conscious market. A small budget with ambitious goals were both a challenge and great way to experiment fresh ideas for this project. Since custom photography was out of their budget at the time, I ended up doing custom illustrations to both model and show their shirts.

Toronto emcee Erik Flowchild came to me to help him put together his Mixtape album cover.

Every so often the team behind the successful Amoi Magazine will request my help with some of the layouts for their magazine.